by BRIAN BOZANICH, MFA
Why We Tell the Story
.
In
my third year running the theatre program at my current school, I was slated to
direct my first musical. I decided to give myself plenty of time to prepare and
announced a title a year before auditions, Once on This
Island (OOTI) (Ahrens and
Flaherty). I chose the show because
it played to my strengths. It was a story about stories, about community, and a
culturally based folk tale.
I started preparing in summer 2003. Having never
seen a production, I decided to mount the show in the round with an ensemble of
sixteen serving as minions to the four central gods of the show.
Spring 2004
Knowing
my casting pool, I had expectations as to who might take on the lead role of Ti
Moune, the peasant girl caught between the gods of Love and Death. In a
surprise, a senior Vanessa landed the role. She was not whom I expected, but her
audition captured the hope and vulnerability needed for the role. As a
director, sometimes you get all the right people, at the right time, with the
right material, and it is art. The rehearsal process was filled with all the
work, joy, fear, and stress needed to temper the work. Vanessa grew in the role
and the whole cast knew we had the potential for transcendence. On opening
night on the floor of a converted gym in Southern California with sixteen
lights the story of Ti Mourne resonated with every audience member. Vanessa
embodied the role. I watched audiences lean
in toward the stage and saw football players cry. A teacher offered this one
word review. Catharsis.
The
entire team shared in the credit. Music, dance, design, acting had unified to
create something more. Vanessa graduated a few months later. In the next few
years, I saw her a few times and thanked her for helping me, a novice director,
do something beyond what I thought was possible. The 2004 cast of OOTI stayed
in touch and connected through the years and we all talked of that production
as a significant life event.
January 2011
One
Thursday, passing the Activities Director’s office, I heard a snippet of a
conversation, “car accident, class of 2004, I think.” Over the next hour I
would learn that Vanessa had been killed by a drunk driver the night before and
left behind a young daughter. I was devastated. We had not talked in years, but
the shared experience made the sense of loss overwhelming. I announced the death to the school and spent
time with her friends and family in mourning. At the funeral, over half the
cast attended, we all shared stories. Vanessa’s mother told me that Vanessa’
daughter often watched the recording of her mother in OOTI.
June 2011
I
have never known what to say in times of grief. As someone who is typically
good with words, I am rendered mute when I try to console. After a few months
thinking, what can I do to help the community heal? I thought of OOTI, its
themes of love, death and redemption. I decided to enlist my current students’
talent for a project. We would mount a revival of the OOTI and set aside one
night as a benefit for Vanessa’s daughter. It was something I could do. In
addition to the show we would invite the 2004 cast and crew to the stage to
sing the closing number “Why We Tell the Story” after bows. My student jumped
at the chance to help. We began planning.
Spring 2012
With
my cast set, we began rehearsals. Nicole
was cast as Ti Moune and she felt the necessary responsibility of the role.
Over the course of rehearsals, the original visited the theatre. Current
students met their 2004 counterparts. They shared stories and helped the cast
find the sense of community needed to make this project work. Last March, on a
Friday evening, we raised over $4000 for Vanessa’s daughter. The cast was amazing, the performance
incredible. The tears started with the first song and ended long after bows.
The sixty students from eight different graduating classes sang, “And she
stands against the lightning and the thunder, And she shelters and protects us
from above, And she fills us with the power and the wonder Of her love.” We
offered up the song in the memory of our absent friend Vanessa.
May 7, 2013
I
have been trying to write this post for weeks. To organize the experience and
help give context to the posts about my teaching philosophy. Monday, I received
a call from Vanessa’s sister saying she had something to drop off for me. We
missed connecting, but when I went to pick up what she left, this was the gift.
A decade later, we are still community. Thank
you, Ness. This is why we tell the story.
Brian Bozanich, MFA
Visual and Performing Arts Coordinator
Saint Joseph High School
5825 Woodruff Avenue
Lakewood CA 90713
bbozanich@sj-jester.org theatreboz@yahoo.com
562-925-5073 x 193
Visual and Performing Arts Coordinator
Saint Joseph High School
5825 Woodruff Avenue
Lakewood CA 90713
bbozanich@sj-jester.org theatreboz@yahoo.com
562-925-5073 x 193
Please visit: Twitter: @FilmRobin for up-to-date info on where I am travelling for ART. LinkedIn: LinkedIn.com/in/robinscottpeters for complete resume & work history. Smashwords.com and look for Dr. Robin Scott Peters Ebooks now available. YouTube: Youtube.com/user/robinscottpeters for all my video work.
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